Adobe Camera Raw for Digital Photographers Only by Rob Sheppard

By Rob Sheppard

Specialist photographer Rob Sheppard explains the main points of digital camera uncooked, the stairs for utilizing it, the workflow strategy, and sure most sensible practices that demonstrates how digital camera uncooked can empower the electronic photographer. Encouraging you to exploit it as you notice healthy, he explores the improvements within the latest new release and is helping you take care of RAW's boundaries, deal with white stability and publicity, decrease noise (especially in evening shots,) and discover ways to use digital camera settings that utilize uncooked services.

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In addition, remember that this is a capture format and should not be used as a working format in the computer. Once you open and work on a JPEG-captured image, save it as a TIFF or Photoshop PSD file. qxp 12/13/07 9:44 PM Page 12 PROPRIETARY FORMATS NOTE ne of the big challenges for everyone shooting and processing RAW is that camera manufacturers have consistently refused to create a common RAW format that everyone can use. Here are some of the extensions associated with varied RAW formats to give you an idea of how many there are (versions unique to certain camera types actually extend this list): Nikon (NEF), Canon (CRW, CR2), Olympus (ORF), Sony (SRF), Pentax (PEF), Fuji (RAF), and Leaf Valeo (MOS).

Qxp 12/13/07 9:44 PM Page 7 Capture Workflow 1-4 RAW CAPABILITIES RAW file holds more tonal and color information than a JPEG — 16-bit versus 8-bit — and offers a great deal of flexibility in how you can work the tones and color in an image. With RAW, you can frequently extract tones and details from the brightest and darkest areas of an image that have no detail in a JPEG file. This can be quite remarkable because it can at times allow you to show information in your photo that more closely resembles the real-world subject you want to preserve compared to what you find in a JPEG file or even from slide film.

DOES JPEG HAVE A PLACE? igital offers so many new options that the choices are confusing at times. And sometimes the choices are not perfectly clear, such as to use RAW or JPEG. Photographers sometimes use RAW even when it does not meet their needs, but they feel guilty if they shoot JPEG. Well-meaning experts often promote one approach to digital, because that is how they do it, but unfortunately, they don’t adequately explore alternatives as really used by photographers. D You need to understand a bit about using JPEG, because shooting 100 percent RAW is neither effective nor efficient for every photographer or in every situation.

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